Leftover TNs (August 2025-January 2026)

Yule Kim

Yule Kim
Some additional notes I forgot to include in my previous posts:

Red

2019 Claude Dugat Gevrey-Chambertin: Nice expressive floral nose with dark cherry and red berries. Rich, meaty, dark red fruit on the palate. Good balance of ripeness with acidity, decent length, and rather silky and light on the palate. No noticeable oak and the tannins are pretty approachable, though I imagine this will shut down some day when the fruit recedes. A nice village wine.

2021 Domaine Duroché Gevrey-Chambertin: A really nice village wine. Expressive nose, quite fresh and delicate on the palate with a sweetness to the dark, tart fruit. Nice tension with the acidity. Very tasty, if not quite profound. But, everything you could want in a village level wine.

Someone left a thoughtful series of comments to my note on CellarTracker explaining that in ‘21, Duroche included fruit from the Le Clos, Champs, and en Vosne lieux-dits, which are normally bottled separately. Apparently, for the ‘24 village, Duroche will also include Le Clos and Champs, though will bottle en Vosne separately.

2014 Simon Bize Savigny-lès-Beaune 1er Cru Les Fournaux: Very elegant and transparent at this point in its evolution. Tannins still leave a hint of grip, but evolving into a silky texture. Great clarity and delineation of the red fruited and mineral flavors on the palate. Crisp and light on its feet. Very enjoyable.

2014 Jean-François Ganevat Julien en Billat: This is a lovely example of a natural red wine with the classic hallmarks of semi-carbonic maceration: beautiful wild strawberries and watermelon on the nose with hints of green from the stems. Acidity is quite lively with hints of herbs and black pepper seasoning the crunchy red fruit. Juicy, fun, and dynamic on the palate (and low alcohol, which is a nice bonus). Pinot Noir.

2023 Jean-François Ganevat Pinot Noir En Billat: Wild strawberries, violets, and herbs on the nose. The palate has subtle red, brambly fruit, great acidity, and white pepper with bitter herbs. Light and silky in a carbonic way. Very tart on the finish.

White

2017 Bruno Lorenzon Mercurey 1er Cru Pièce 15: A really nice example of white Burgundy that maintains a good balance of freshness and acidity with the ripeness of the white fruit on the palate and a deft use of oak to provide a subtle, polished sleekness and roundness to the texture. It reminds me of a nice, broad-shouldered Meursault.

2020 Jean-François Ganevat Chardonnay Cuvée Florine: Expressive aromas of lemon and white flowers on a nose that is just a touch lifted. Sleek, silky and subtly textured with punchy acidity that is mouth-watering, but already fairly well integrated. Juicy white fruit with a grace not of bitter lemon peel on the palate. There's warm spices and a subtle note of salinity and vanilla on the finish. Already very approachable, in contrast to the '20 Grands Teppes VV, which could use more time.

2018 Jean-François Ganevat Grusse en Billat: The nose is a little more subtle and stony in comparison to the '20 Florine. There's tart acidity on the opening attack that is quite firm but already well integrated. Much more mineral and saltier, you can taste the wet rocks on the palate. Razor sharp, the notes of spice and vanilla from the oak are already quite integrated into the palate. In comparison with the '20 Florine, this has much more mid-palate intensity.

2017 Anne et Jean-François Ganevat Savagnin Arbois Sous Voile: Strong oxidative aromas of roasted nuts, honey, and a slight sting of wood varnish on the nose. The palate is very tart and lemon-forward from the strong acidity with the oxidative, sherry-adjacent flavors adding a layer of complexity onto the palate. Very powerful, but also very light on its feet and super elegant, as if its floating over the palate. My first time drinking a sous voile white from Ganevat, and it is really good!

Dessert

1976 Schloss Eltz Eltviller Sonnenberg Riesling Trockenbeerenauslese: As dark and viscous as motor oil, but incredibly complex, punchy, and floral on the nose. The palate is rich and textured, infused with dried fruit, nuts, bitter citrus peel, salt, and baking spices. Super long. Really terrific and fresh despite how dense and rich it is. Still a hint of sweetness, but this is becoming quite savory. Acidity very much still on point.

2001 Ch“teau Suduiraut: This was wonderful. Firm acidity that comes across electric on the palate, amplifying the tart and bitter orange marmalade, oozing with a piquant spiciness you get from citrus oils. The savory and saline from the tertiary development are supplanting the sweetness at this point in the wine's development. Still a little tight and feral, this has plenty of runway to develop and mature. What a great bottle.

NV Jean-François Ganevat Macvin du Jura Vieux: A blend of mostly Chardonnay with some Savagnin. Quite oxidative on the nose with the heat from the fortification also noticeable. Some honeyed notes on the palate, and it finishes with a hint of sweetness with some heat and bite. Despite the alcohol, it comes across as light and finessed (for a fortified dessert wine).

2003 Dönnhoff Oberhäuser Brücke Riesling Eiswein: This was definitely ripe, concentrated and sweet, but the acidity was still so lively and tangy, providing necessary balance. Definitely a basket of tropical fruits and apricots smothered in honey that is quite velvety and textured on the palate, but the tension in the wine is so refreshing and mouthwatering, it all just comes together. Really surprising considering how torridly hot this vintage was.
 
I"ve had a number of excellent 2003 Germans over the years. Willi,Schaefer in particular

And the eiswein is probably donnhiffs,best wine imo and from very limited experience
 
originally posted by Jay Miller:
I"ve had a number of excellent 2003 Germans over the years. Willi,Schaefer in particular

And the eiswein is probably donnhiffs,best wine imo and from very limited experience

Donnhoff seems to have gift in crafting sweet and off-dry wines.

I should try some 2003 Schaefers sometime.
 
I like leftovers as much as the next person, particularly when they've been left over the weekend, abandoned like a swaddled babe on the doorstep of the union rescue mission, with nobody around to ponder the notes and change the swaddling. When trundling along a snowy street, one can stumble upon a substanceless thread and wonder what to make of it. Would it be a setup for a Damon Runyonesque poignancy, or perhaps just another aimlessly wandering Krazy Kat reflection on the silliness of life? Me, after reading that arresting title of "Leftover Tasting Notes," only to find a vague open space of bleak nothingness, I opted to leap into action and attempt to fill that void with what, leftovers? Why not? Only to find that the void was unfillable, a veritable region of anti-matter disallowing its emptiness to be replaced by fullness. Until I happened today to click the clicker and journey into the nothingness (or maybe it was anti-being) and place this chunk of missive within its grasping borderline.

Leftovers are good, if only for the questions they raise. Do they remain because of lack of space in the forms to be filled out, or in the bellies to be crested over the rim with Too. Much. Stuff.? Maybe thematically it didn't meld with everything else going along, like bringing a bazooka to compete in a medieval jousting competition. Leftovers can be that Rothko painting your grandpa left you that doesn't quite fit with your Rembrandt collection and honestly, what the hell do you do with your signed, limited edition of Damien Hirst's "The Physical Impossibility of Death in the Mind of Someone Living" that your father gave you to win your favor after your mother left him to follow her bliss as Jeffrey Epstein's Director of Protocol. That's gotta be a leftover, because it doesn't really fit with anything, right? What other sort of art would you put in the same room with it? And you wouldn't want to show it in your aquarium, for fear that you'd skeeve out the other, live fish within eyesight of the Hirst. The weirdest leftover I heard about was a guy who went big for a dCS Varèse Music System so he could listen to "The Dark Side of the Moon" like he really WAS on the dark side of the moon. $300K later he realized that not only did the record sound more authentic, but that all the SACD spinning and upsampling, dejittering, and atomic clocking was weirding the sharks out in his aquarium. He pushed it out on his back porch (that's what one does with unwanted leftovers, right?) and the River Reivers came along, swooped it up and sold it to the Irish. Those were leftovers I certainly would have wanted to hear, even if I do favor the LP format for listening.

But to my real point: The best leftover I've had recently was a slice of pizza from My Friend Mike's, a local joint that is mainly takeout but they've got a communal table. The crust is from a 3-day sourdough made in-house and all the veggies are sourced at local farmers' markets. The meat pizzas are made with locally produced sausage and charcuterie, and most of the cheese is also sourced from SLO County. This is where all the local wine people get their pizzas so the wine selection is all furrin bottles, mainly from the KLWM, Oliver Mcrum, and Rosenthal books. This way, Mike doesn't have to explain to his clients why their wines aren't in stock. All the wine is sold at retail price, whether you're dining at the communal table or taking it with you. (they're https://www.myfriendmikes.com/ if you're passing through town). Order ahead, because he only makes 209 pizzas a day and usually runs out (it's a college town and most of the kids have daddy's credit card "for emergencies" and I suppose a $36 pizza craving counts as an emergency these days, right?)

Anyhoo, the leftover pizza was a Shroomie (Crème Fraiche, Aged Mozz, Taleggio Cheese, Guanciale, Mushrooms, Roast Garlic, Thinly-sliced Onions, and Fresh Herbs) with some sausage added. I took the slice out of the refrigerator, put it on a Hexclad pizza sheet in a 350˚ oven and waited for it to heat up. It was almost as good as it was coming out of the pizza oven (Mike uses a big electric oven, not a fancy wood-fired unit). I had a day-after glass of 2020 La Lomita Pinot Noir from the Greengate Vineyard in Edna Valley. Greengate Farm is the most popular wedding venue in the area. Prior to this, it was a horse breeding stable owned by Jay Stream, who was Wayne Newton's manager. La Lomita also has a horsey relationship, in that it's a nearby vineyard and bed 'n' breakfast on Islay Hill, one of the "nine sisters" volcanic peaks stretching from Morro Rock (in Morrow Bay) all the way to Islay Hill. If you pose in the window of what used to be the Edna Valley Vineyards tasting room, you can see most all of them stretching off in the distance. La Lomita has a vineyard, but it wasn't fully mature in 2020, so winemakers Mikey & Gina Giugni (of Scar of the Sea winery and Lady of the Sunshine) sourced fruit for La Lomita that vintage. The owners of La Lomita's BnB converted a horse barn into hotel rooms. It has a nice view, but in the opposite direction down Edna Valley than the aforementioned Edna Valley Vineyards viewshed). Mikey and Gina recently purchased the Bassi Ranch vineyard in Avila Beach from Mike Sinor so I don't know how much outside winemaking they're doing these days, but they're good at it and their labels are worth seeking out. The 2020 La Lomita is at peak, more savory than fruity and an appropriate accompaniment to leftover pizza.

-Eden (this IS the sort of content that should be posted on a "leftover tasting notes" topic, right?)
 
Back
Top