2009 Franck Peillot Altesse Rousette du Bugey Montagnieu 12.5%

Oswaldo Costa

Oswaldo Costa
Earlier this year, at the last Dressner tasting I attended before Joe's passing in September, among some of the finest children of France and Italy, my favorite was a white from Bugey, a small AOC which I had barely heard of. Bugey is located near Lyons, between the Jura and Savoy, and from the area hails the famous poulet de Bresse, the only chicken with its own AOC. This wine is made from the grape Altesse, also known as Roussette de Savoie or Roussette du Bugey, and a genetic relative of Hungarian Furmint, if google is to be believed.

Last night, the aroma was as attractive as I remembered, with great freshness, pot-pourri of white flowers, delicate minerality, and guaraná (one smells what one knows). Reminiscent of the cozy florality of an unpretentious moscato d'Asti, whose only aim in life is to make you happy. Easy to drink, though a little ripe and sweet in 2009 (2010 should be perfect). Has a spine of acidity, but seemed a little bit lacking in consistency, and the finish could be longer. But the nose is delovely.

But the gestalt was not quite as winsome last night, so I tried to understand why this wine enchanted me so much six months ago. It is a commonplace that those who disrespect wine by tasting dozens without food and award points give long shrift to the ones who tear off their clothes and sit on your lap. Even at a tasting of Dressner wines, the sheer quantity natural goodness discourages respectful understanding. I realized that it was exactly the intensity of this nose, through the very intangibility of its assault, that overcame palate fatigue and performed a lap dance for the limbic system, stiffening some long forgotten madeleine.
 
While I haven't had the 2009, in most years this wine has needed a one or two hour decant to show its stuff. Perhaps the bottle you tried at the tasting had been open longer than this one? Just a hypothesis, especially since I don't know how long you were able to follow this one for.
 
I was just going to chime in that I had a glass of this as poured by the glass at Marlow & Sons over the summer; if I recall, the bottle was already a third of the way in, so perhaps that explains its openness. Though it was a bit hot amid the mix of other goodies.
 
I'll leave my two other bottles open longer when I get around to them, but I'm pretty sure it was the aromatic contrast with everything else that was so refreshing in a sensually deadening context.
 
originally posted by Oswaldo Costa:
I'll leave my two other bottles open longer when I get around to them, but I'm pretty sure it was the aromatic contrast with everything else that was so refreshing in a sensually deadening context.

Certainly a reasonable explanation.
 
originally posted by Oswaldo Costa: (one smells what one knows)

What great truth there is in that, Oswaldo. Great observation.

originally posted by Sharon the Tart: Ooh, I've never tried tasting the people before! How do they react?

You do a hell of a job teeing 'em up, Sharon, but even I can't swing at that.
 
originally posted by Sharon Bowman:
originally posted by Florida Jim:
I do not often attend large tastings anymore.
When I do, I go for the people.

Ooh, I've never tried tasting the people before! How do they react?

1. Disbelief.

2. Saying "Stop that!" or "What are you doing?" or "Ow, that hurts, quit it!"

3. Hitting and screaming.
 
originally posted by David Erickson:
originally posted by Sharon Bowman:
originally posted by Florida Jim:
I do not often attend large tastings anymore.
When I do, I go for the people.

Ooh, I've never tried tasting the people before! How do they react?

1. Disbelief.

2. Saying "Stop that!" or "What are you doing?" or "Ow, that hurts, quit it!"

3. Hitting and screaming.

U R doing it wrong.
 
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