originally posted by fatboy:
originally posted by MLipton:
originally posted by fatboy:.
2. when it comes to actually enjoying bubbles, don't diss the idea of a well-made coupe. at least until you've examined the matter with an open mind. i honestly love them.
Now that might rank as the most provocative statement made on this bored in quite some time. My problem with performing that experiment is that I’m not at all sure what you consider “well-made.” I have some fancy antique ones, etched glass and all, but are they well made? I honestly haven’t a clue.
Mark Lipton
by well made, i merely meant thin glass rendered into non clown shapes. most of the coupes i encountered in teh early years -- the things they used to sell teh coupes of champagne in in brasseries in france -- were made of inch thick soviet era glass.
fwiw, it was fancy antique ones (etched glass and all, that i use for cocktails) that got me started. i had been buying some of the new style minimal intervention extra brut riesling sekts (e.g. ones made by ulli stein and gernot kollman among others), but couldn't find a glass that didn't make them feel somewhat closed in and clumsy / rustic as actual drinks. then one day i tossed some into a "cocktail coupe" and eureka.
all of which prompted me to first pick up some modern coupes that were actually made for teh fain wain, and then explore further. i still use a universal glass for some fizzes, and even the odd riedel flute when the occasion demands, but empirically, i have been surprised to discover just how often i find myself reaching for a coupe when i pop the cork on champagne. there are some extra textural things i appreciate from fizz in coupes, and the aromatic difference in comparison to a flute is stark. (in teh fatcave, we even have different coupes for chardonnay vs. pinot heavy cuvees, but this is surely overkill).
fb.