Raspberry head

Thor

Thor Iverson
Ampeau 1989 Savigny-les-Beaune (Burgundy) The pulse and throb of subsurface earth provides a foundation for a deep, glowering wine hinting at both animal and berry in equal measure, and both in the best possible sense. Its maturing, for certain, and the beautiful aromatics one desires from aged Burgundy are already in evidence, but I dont sense any hurry in the wine, and so cannot recommend any sort of panicked rush to open what one might own. A very, very pleasant wine. (12/09)

Faiveley 1993 Mercurey La Framboisire (Burgundy) Very tannic when uncorked, and while this fades somewhat over the course of the evening, it never recedes enough to bring the wine into full balance. Despite that, the fruitfaded for the first half-hour or so, but making a gradual recovery familiar to fans of aging red Burgundyis fairly dark and purple-toned. What it isnt is very strong or fleshy, so its hard for me to judge if its going to last until something more aromatically mature develops, or whether its just fading. What I do know is that this bottle will likely never find balance with its tannin. And heres an important caveat: the owner of this bottle (not me) thinks that theres a possibility it experienced some minor heat effects at an earlier stage, so the above descriptors may have little or nothing to do with an intact bottle. (12/09)

Louis Tte 1997 Moulin--Vent (Beaujolais) Shrilly acidic, to the point that it causes a bit of reflux. Its just too old, and whats left is hard, harsh, tired, and not much fun at all. Remnants of a very soil-based aromatic profile linger, as well as some dark berry squeezings, but if youve still got any, I hope its in an icy cellar. (12/09)

H. Billiot Champagne Ambonnay Brut Cuve Laetitia (Champagne) Apples, red cherries, raspberries, and flowers. Round, with vivid acidity. Very, very long. This flows. (12/09)

Druet 1996 Bourgueil Les Cent Boisseles (Loire) Peppers (mostly bell, but also seed), green grass, and dirt slowly eroding into a wind that carries the black pepper into oblivion. Strappy, apple skin-textured tannin has been stretched at the seams of this wine, which is holding but about to fall apart, I think. Still, theres a certain dignity to the wine, and only those who require some sort of identifiable primary fruit to enjoy a wine will fail to see the interest here. (12/09)

Luneau-Papin 1997 Muscadet Svre & Maine Sur Lie Clos des Alles Vieilles Vignes (Loire) Corked. (12/09)

Bodegas 3 Sueos Sexto 2005 Terra Alta (Catalua) Sexto for the six grapes: garnacha, carignan, tempranillo, and then small additions of cabernet sauvignon, syrah, and lledoner pelut noir. No, Ive never heard of it either. The wine itself is an affable fruit bomb, dark, plummy, and full of berried bursts and lush obviousness. Perhaps a sprinkle of pepper as well. Theres a little bit of structure clinging to an outcropping waaaay off to the side, but its a bit player at best. Fun. (12/09)
 
originally posted by Thor:
No, Ive never heard of it either.
I have, but not much. It's one of the rare Spanish wines made by an American winemaker, in this case Laely Heron, and I think the vast majority of the (small) production goes to the US.
 
Can it be any good if it's not made by a Brit? I thought that's what all the cool Spanish wineries were doing these days.

Once I'm done being sarcastic, which should happen any moment now, by "never heard of it" I was referring to that last listed grape. Turns out I should have heard of it, after some Googling, but I wasn't going to change the note to pretend otherwise.
 
Oh, lledoner pelut? It's just the grenache clone that has a downy/hairy back side of the leaves. DNA-wise, identical to all other grenaches. But Catalan growers insist the grapes are better.

The fancy thing in Spain is French winemakers. We have a lot of them, mainly young, terroir-oriented, and with a lot of passion for authentic wines.
 
Also, my source for the bottle holds his wines way too long. I keep trying to discourage this practice, but...

Then again, the Ampeau was his, so it's not all bad.
 
originally posted by VS:

The fancy thing in Spain is French winemakers. We have a lot of them, mainly young, terroir-oriented, and with a lot of passion for authentic wines.

Victor, should I be put on guard by the fact that you didn't place "authentic" in quotes as I have? Do I take it that you weren't waxing ironic? If so, that's good news to hear.

Mark Lipton
 
Clearly, what Spain needs to mature as a wine region is more non-Spanish winemakers, grapes, and money.

Also their restaurants, which could also use a lot more Scots.
 
I'm not being ironic when I use the word 'authentic' (I am when referring to the 'natural wine' movement's stringent diktats). I don't know what foreign grapes are, really. I don't know any native grapes in Chteauneuf-du-Pape (they all came from Spain or from the faraway outskirts of Lyon less than two centuries ago), yet I enjoy CdP wines - some of them. I don't think that muscat is a native grape in Navarra, Mlaga or Alicante, yet I enjoy muscats from those places. So I won't enter into that part of the argument.

What I am interested in are grapes that go well in certain terroirs, and to me it's obvious that in most places in Europe there are interesting varieties that have been for centuries on those terroirs and that one should work with for, at least, the sake of originality, for not being copycats.

This is where young French winemakers and viticulturists come in. They have often an advantage over many (not all) Spaniards their own age who still belong to a more 'technological' generation, as the French guys' parents and older brothers and sisters also did. This attitude is often (again, not always) missing in the highly 'technological' oenologists of the Australian-New Zealander persuasion we see here, including a number of Britons who learned the trade down under and are still more interested in the cellar than in the vineyard.

So as long as they spend more time in the vineyard than in the lab, those younger-generation Frenchmen (and women) are OK by me, and they've brought a large breath of fresh air to the new Spanish wine scene.

I invite everyone to discover what these guys are doing - you'll find a great focus on local grape varieties, very little focus on new oak and no focus at all on spoofulation.

Some names to back my point up: Jean-Franois Hbrard (Quinta Quietud, Toro), Bertrand Sourdais (Dominio de Atauta, Ribera del Duero), Laurent Corrio (Sot Lefriec, Peneds), Grgory Prez (Mengoba, Bierzo), Sbastien Boudon (Heretat de Cesilia, Alicante), Olivier Rivire (Olivier Rivire, Rioja), Jrme Bougnaud (Quinta Sardonia, VT Castilla y Len), Jean-Marc Sauboua (Pago de Cirsus, Navarra), Philippe Cambie (Mas Alta, Priorat), Jean-Franois Gadeau (Artadi, Rioja), Didier Belondrade (Belondrade y Lurton, Rueda).
 
originally posted by Thor:
Raspberry headFaiveley 1993 Mercurey La Framboisire (Burgundy) Very tannic when uncorked, and while this fades somewhat over the course of the evening, it never recedes enough to bring the wine into full balance. Despite that, the fruitfaded for the first half-hour or so, but making a gradual recovery familiar to fans of aging red Burgundyis fairly dark and purple-toned. What it isnt is very strong or fleshy, so its hard for me to judge if its going to last until something more aromatically mature develops, or whether its just fading. What I do know is that this bottle will likely never find balance with its tannin. And heres an important caveat: the owner of this bottle (not me) thinks that theres a possibility it experienced some minor heat effects at an earlier stage, so the above descriptors may have little or nothing to do with an intact bottle. (12/09)

Recently had both the 93 Myglands and the 93 Clos du Roy and was pretty underwhelmed. Though, I had similar concerns with heat damage.
 
originally posted by VS:

Some names to back my point up: Jean-Franois Hbrard (Quinta Quietud, Toro), Bertrand Sourdais (Dominio de Atauta, Ribera del Duero), Laurent Corrio (Sot Lefriec, Peneds), Grgory Prez (Mengoba, Bierzo), Sbastien Boudon (Heretat de Cesilia, Alicante), Olivier Rivire (Olivier Rivire, Rioja), Jrme Bougnaud (Quinta Sardonia, VT Castilla y Len), Jean-Marc Sauboua (Pago de Cirsus, Navarra), Philippe Cambie (Mas Alta, Priorat), Jean-Franois Gadeau (Artadi, Rioja), Didier Belondrade (Belondrade y Lurton, Rueda).

Your list is much appreciated, Victor. But... can this be the same Philippe Cambie who is the bte noir of the S Rhone? If so, I'd certainly question his bona fides re spoofulation. On further investigation, I see that he's partnered at Mas Alta with Michel Tardieu, who you no doubt know as one of the less quercophobic vignerons of the N Rhone. I will still seek out a Mas Alta to try, but with some skepticism to be overcome.

Mark Lipton
 
Faiveley 1993 Mercurey La Framboisire Very tannic when uncorked, and while this fades somewhat over the course of the evening, it never recedes enough to bring the wine into full balance. Despite that, the fruitfaded for the first half-hour or so, but making a gradual recovery familiar to fans of aging red Burgundyis fairly dark and purple-toned. What it isnt is very strong or fleshy...
Doesn't this describe all too many Mercureys, Faivelys included (and I like alot of their wines)?
 
I'm unwilling to draw too many general conclusions from the performance of a bottle that I suspect may have been damaged, but this reminds me somewhat more of Faiveley than it does Mercurey.
 
originally posted by MLipton:
I will still seek out a Mas Alta to try, but with some skepticism to be overcome.
Yes, the infamous Tardieu and Cambie. Spoofulation at the Belgian-owned Mas Alta is zilch. Using (some) new oak on old-vine cariena is no sin in my book. It can take it and absorb it.
 
Back
Top