CWD: Brett Bombino- 2004 Le Galantin Bandol

Eden Mylunsch

Eden Mylunsch
I came up in the wine biz in an era where Domaine Tempier was the be-all, end-all benchmark of what Bandol was supposed to taste like. The fact that the wines tended to have more than a hint of brettanomyces wasn't a problem, because the wines were supposed to taste like that and if you didn't like "that", you'd buy something other than Bandol. Sure, there were other producers available in the US market (Pradeaux and Pibarnon spring to mind) but they were as funky/stinky as Tempier and we'd buy the wines and put them in the cellar for 10 years and drink them with seafood and aioli and chant "they're supposed to taste like that, goddammit!" as we inducted new acolytes into the cult of the Bandolistas.

And then Daniel Ravier came along and fucked everything up by making wine at Tempier that was complex and interesting and fruity and decidedly unfunky and we all took off our robes and decided that maybe Bandol didn't have to smell like a wet dog sitting in a cardboard box in an alley after the rain had stopped. All was well with the world, because we discovered what Mourvedre was supposed to taste like and it was good and a new day dawned and we walked in awe into the light. It's a much more expensive light these days, but Bandol (even Tempier, but not by much) has probably been underpriced for a long, long time so I don't feel bad about buying the occasional bottle instead of the occasional half-case, as I once was wont to do. I've got too much wine in the cellar anyway, y'know?

Tonight while watching Marx Bros and Laurel & Hardy on the TV I was in the mood for something different so popped a bottle of 2004 Le Galantin Bandol AOC (an Eric Stauffenegger Selection, and Eric is more traditional than even Hiram Simon as regards his wine predilections).

Wow. As the kids say, who let the dogs in?

The brett in evidence here is not the "good" kind, the one people wax rhapsodic about when they mistake brett for "terroir. I like a little funk in my wine but maybe not this much. This is the tongue-coating, fuzzy/furry kind of brett, the kind that takes your breath away while on first sip it takes away your ability to taste anything. Fortunately, it's not exactly terminal, because with air a little fruit emerges on the palate and cherries pop up in the glass, much in the way mushrooms rise from a cow pie after a nice rain. Ever the optimist, I made some pasta with garlic (the new 2010 crop coming out of Gilroy is the best in recent memory) along with a diced heirloom tomato (not such a good vintage) from the Santa Monica Farmers Market and some homegrown basil. It made the brett not-so-obnoxious, but it still stood out like say, if Bootsy Collins was sitting in with Gordon Lightfoot or Cat Stevens. Intellectually it was interesting but not exactly unnoticeable to anyone not on heavy medication. Which brings up the fact that this bottle is 14.5% alcohol so I've copped a nice buzz while I've been cooking dinner. Not that I'm complaining, but I don't recall getting this dizzy while sipping the 2004 Terrabrune, Bastide Blanche, Tempier, or Gros Nor Bandols. Perhaps it was the context, maybe it's just Le Galantin.

-Eden (the brett inoculation I received back in the late 90s must be wearing off, because my tolerance for this wine "idiosyncrasy appears to be diminishing)
 
Merci, Eden.

Waking up to rain, and blustery winds today, it seems closer to December then August here. I was feeling a little blue and not quite ready for winter yet. A Bandol note from Ms Mylunsch is a little sunbreak in the storm.

The Brett does sound like a little too much to enjoy. I guess my tolerance has gone way down also. Almost anything goes in musical collaboration these days, like Burt Bacharach working with Dr Dre and Elvis Costello (who is rumored to be a fan of Corsican Niellucio also), is a Gordon Lightfoot- Bootsy Collins jam session really so far fetched? Hmm, this is a little hard to picture.

Speaking of wine notes and musician analogies, I saw Herbie Hancock this week, and he was great. I really enjoyed his take on John Lennon's Imagine and Dylan's The Times They Are a Changing, as well as a fine performance of Watermelon Man. At times Herbie pushes the spoofilation threshold for me, but it is done so well that it is hard to care too much, plus guys like Bootsy owe a lot musically to HH. Eden, are you a fan of Pino Palladino, who is playing bass with Herbie currently? His facial expressions were almost as much fun to watch as his bass lines.
 
originally posted by Thor:
The best thing about brett is the prose it generates.
See, fr'ex, the infamous Yaniger opus.

Marc, isn't Pino filling in for an injured Tal Wilkenfeld on this tour?
Don't know. Wasn't she the bass player on his latest album?

I think James Genus was the bass player at the start of the tour, for the east coast shows, and now its Pino.

edit - you are right, her web site on 8/1 says that due to a recent injury she will not be able to continue on the Herbie Hancock North American tour.
 
Here. Though, in retrospect, brett might be the only thing he doesn't specify.

Also discussed here on this very shingle o' teh interwebz.
 
Don't know. Wasn't she the bass player on his latest album?
It's what she left Jeff Beck to do, so I assume so.

According to her web site, she was on tour and left around the beginning of August. Could be talking about a different leg of the tour, though.
 
Actually, the stinkiness at Tempier cleaned up ca. the 1990 vintage. And many people claim that it wasn't brett, but rather the naturally reductive character of Mourvdre (and if you remember the way many Northern Rhnes smelled before ca. 1985 due to the reductive state of the Syrah, that makes sense; plus the stinkiness went away with time in the bottle and many people say that brett does not go away with time).
 
originally posted by Thor:
The best thing about brett is the prose it generates.
See, fr'ex, the infamous Yaniger opus.

Exactly what I had in mind. Funny that Y doesn't even use the word brett, because that's the tag that attached itself to the neuron where that note is referenced.
 
Yes. Also, quite a tolerance for wood. (This is the point, were Yaniger on any forum except [redacted], he'd make any one of the hundreds of obvious jokes. Supply your own, in his memory.)
 
I don't suppose we should be so past tense about the guy just because he's gone off to the big stereo board in the sky.
 
The last time we broke corks together, he wasn't even particularly crude. It's not unreasonable to consider the Yaniger that wrote that note as ex-.
 
originally posted by Marc D:
Almost anything goes in musical collaboration these days, like Burt Bacharach working with Dr Dre and Elvis Costello (who is rumored to be a fan of Corsican Niellucio also)

I very much like "Painted From Memory", the Costello/Bacharach collaboration, as well as its companion album "The Sweetest Punch". There's a shared musical sensibility there, despite the different genres they (Costello and Bacharach) came from. [/quote]

(who is rumored to be a fan of Corsican Niellucio also)

That's probably Anthony Wilson's fault.

Eden, are you a fan of Pino Palladino, who is playing bass with Herbie currently? His facial expressions were almost as much fun to watch as his bass lines.

Bob Glaub turned me on to Pino back around the time that he played on the Paul Young and Don Henley records. His fretless sound was pretty distinctive, particularly given the Jaco-mania that was sweeping the bass world in that era. I haven't kept up with Palladino's recent work but it's good to hear that he's doing the Hancock gig.

originally posted by Claude Kolm:
Actually, the stinkiness at Tempier cleaned up ca. the 1990 vintage. And many people claim that it wasn't brett, but rather the naturally reductive character of Mourvdre (and if you remember the way many Northern Rhnes smelled before ca. 1985 due to the reductive state of the Syrah, that makes sense; plus the stinkiness went away with time in the bottle and many people say that brett does not go away with time).

That certainly makes sense - it's not unusual (for me at least) to confuse reduction with brett. It still requires extended time in a decanter, and unless you've tasted the same wine recently you're not likely to know to open the bottle the day before you plan to drink it. I've learned to give the 80s-90s Tempiers 6-8 hours of air and to hope for the best, but that's just been my experience with them. I don't recall tasting Le Galantin in the past so was taken by surprise (just a little) about how sauvage this bottle was. It's showing a little better today, but the funk level seemingly remains constant while the fruit is a bit more apparent. From a geek's viewpoint, it's an interesting wine and intellectually stimulating, but even with 12 hours of air is still not the sort of wine I'd want to serve my mother...

-Eden (she likes wines that Sadat X would describe as "smoove")
 
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