Haut Brion 89 et al.

Oswaldo Costa

Oswaldo Costa
Living in New York in the mid-1990s, I became increasingly interested in wine, taking courses, subscribing to magazines, etc. My father lived in Paris, but had never been too interested in the subject and, whenever he came to visit, looked benevolently upon the emergence of one more hobby.

One day, circa 2000, the year my daughter was born, my father was in town and called asking if I had any suggestions because he wanted to give a really spectacular wine to a very knowledgeable friend. I was thrilled with the mission and, being even more ignorant than I am today, and an economist, I researched which wines scored above 95 in both WS and WA. Some did in one, some did in the other, but relatively few did in both. At the time, Haut Brion 1989 was the only one to score 100 in both, but cost $500. My father authorized the purchase, and asked me to bring it to his apartment. Taking advantage of the research, I bought with my own money a Trotanoy 95 and a Jadot Clos de Bèze 96 because both had excellent scores and cost something more compatible with my purchasing power (as a historical curiosity, scores included below).

A few days later, I took the Haut Brion with the greatest care to the apartment at 48th and Third that served as my father's pied-a-terre near the U.N. I handed over the prize, with a touch of envy for the beneficiary. My father took the bottle in hand, examined the label, turned the bottle around and handed it back to me, saying "it's yours." In retrospect it may seem obvious, but I swear that not for a second did I suspect that I had been set up. I was stunned, of course; gestures like these you never forget.

Since the reviews said that the Haut Brion should only be drunk after twenty years, I decided to keep it (and the other two bottles) until my daughter was 18. Besides Olivia, I wanted to open it with my two dear sisters and my wonderful wife Marcia, since these are the most important people in my life.

Olivia is sweet sixteen, currently visiting for Spring Break; Marcia and I are moving to Portugal with little André in July; my sisters live in São Paulo; so I decided to anticipate this tribute to my beloved father, who died in 2006, not knowing if I’ll ever be able to reconvene these people again.

Last Thursday, in a small family dinner filled with reminiscence, I opened these three reds that I have carried to and fro for over fifteen years. How were they? I suspect that’s not the point. My taste has changed so much since then, and we know there are no great wines, only great bottles, since each cork is a punt in the dark. If you must know, the Jadot must have contained a ton of sulfur. In the decanter, it went from hard as nails to decadent within hours, but showed a fair amount of stuffing for an industrial artisanal wine. There was also a bit of TCA, explaining much; some reward for my patience. The Trotanoy was for the most part the wotn; complex and intriguing, blackberry, tar and charcoal, fine balance and ideal weight, no excess concentration or wood, except perhaps in the texture. Go, Merlot! The Haut Brion was relatively contained, with a subtle undercurrent of spices. Beautiful structure, weight and balance, also no wood or excess concentration. It evolved nicely in the glass - to the extent that an evolving subject can observe an evolving object -, becoming almost perfect for what it is. But hardly a wine that shouts, that grabs a critic by the throat.

But what a relief not to have to take this fragile and symbolism-laden baggage with me to Portugal.

Before the main characters, we had two starters:

2004 Dom Perignon Brut Champagne 12.5%
Pinot Noir and Chardonnay. Beautiful aroma, ultra-expressive; very mineral; standard brioche and almonds; CO2 a little excessive; nice mouth, but not as good as the aroma.

2004 Chandon de Briailles Le Corton Charlemagne 13.5%
Bought on a visit to the winery in 2008. Sesame and anise aromas. Rich, unctuous, but not too heavy. Good acidity, subtle fruit.

1996 Louis Jadot Chambertin Clos de Bèze 13.5% RP95 WS96
1995 Chateau Trotanoy Pomerol 13.5% RP93 WS97
1989 Chateau Haut Brion Graves 13.0% WS100 RP100
 
Heartwarming, coming from you. I like what you said about baggage: sometimes things have be let go, if for no other reason. Where will you be in the land of ancestors?
 
How were they? I suspect that’s not the point.
I disagree. Otherwise, you might have chucked the bottles sooner.

Congratulations on reaching the end of the saga.

And thank you for the full story!
 
Very nice. Though I don't think "industrial artisanal" is a fair knock on the Beze. This is a domaine wine for Jadot which they consider the creme de la creme of their cellar and treat accordingly - not much difference in how this is made vs. how an artisan with much shallower pockets would make it. Sans TCA and with an extra ~5 years or so, I imagine this bottle would've been lights-out great.
 
The experience of the passage of time is what makes wine, like music, meaningful, and your story gives us all the chance to salute the memory of your father.
A bottle of the 59 Haut Brion was fantastic six weeks ago. It had turned into burgundy, more or less, the proper ambition of any wine.
 
originally posted by Keith Levenberg:
Very nice. Though I don't think "industrial artisanal" is a fair knock on the Beze. This is a domaine wine for Jadot which they consider the creme de la creme of their cellar and treat accordingly - not much difference in how this is made vs. how an artisan with much shallower pockets would make it. Sans TCA and with an extra ~5 years or so, I imagine this bottle would've been lights-out great.

I can see them handling the grapes with the same loving care (the artisan part), but would suspect they use inoculated yeasts and far more SO2 (the industrial part). Not to mention the agriculture.
 
Great story but only so so economic analysis. When I first started buying Bordeaux I looked for market inefficiencies, wines rated highly by one critic (Clive Coates) and not as highly by RMP, as his ratings appeared to be largely priced into the market.
 
originally posted by Oswaldo Costa:
originally posted by Keith Levenberg:
Very nice. Though I don't think "industrial artisanal" is a fair knock on the Beze. This is a domaine wine for Jadot which they consider the creme de la creme of their cellar and treat accordingly - not much difference in how this is made vs. how an artisan with much shallower pockets would make it. Sans TCA and with an extra ~5 years or so, I imagine this bottle would've been lights-out great.

I can see them handling the grapes with the same loving care (the artisan part), but would suspect they use inoculated yeasts and far more SO2 (the industrial part). Not to mention the agriculture.
You suspect wrong. The practice there is wild yeast. I don't how much SO2 is in that bottle but I can guarantee it is no more than any number of "artisan" producers. The agriculture has been organic and biodynamic for some time.
 
originally posted by Keith Levenberg:
originally posted by Oswaldo Costa:
originally posted by Keith Levenberg:
Very nice. Though I don't think "industrial artisanal" is a fair knock on the Beze. This is a domaine wine for Jadot which they consider the creme de la creme of their cellar and treat accordingly - not much difference in how this is made vs. how an artisan with much shallower pockets would make it. Sans TCA and with an extra ~5 years or so, I imagine this bottle would've been lights-out great.

I can see them handling the grapes with the same loving care (the artisan part), but would suspect they use inoculated yeasts and far more SO2 (the industrial part). Not to mention the agriculture.
You suspect wrong. The practice there is wild yeast. I don't how much SO2 is in that bottle but I can guarantee it is no more than any number of "artisan" producers. The agriculture has been organic and biodynamic for some time.

Well, thank yee for setting the record straight. There is still filtering, fining, all kinds of things they might do to fashion the expected ends. In truth, I have tasted very competent Jadots, but never one that seemed to have soul; maybe the corporate mindset affects even the créme de la créme. Perhaps there are procedural Chinese Walls between the owned and the purchased, but the wellspring is the same. But you appear invested, so you must have had transcending enough experiences. Or perhaps I have been unlucky.
 
No fining or filtering at Jadot, either, although I don't see how either is contrary to artisanship. What's industrialized about dropping some egg whites in a barrel?
 
Great, so now Jadot can even be considered a beacon of natural wine.

But seriously, if you can vouch that this Clos de Bèze was from organic or biodynamic grapes, used wild yeast, ordinary commercial sulfur amounts, and was bottled unfined and unfiltered, I withdraw my characterization.
 
originally posted by Oswaldo Costa:
Great, so now Jadot can even be considered a beacon of natural wine.

But seriously, if you can vouch that this Clos de Bèze was from organic or biodynamic grapes, used wild yeast, ordinary commercial sulfur amounts, and was bottled unfined and unfiltered, I withdraw my characterization.

Oswaldo,

The first law of holes applies here.

One of the greatest, soulful bottles of red Burgundy I ever drank was a Jadot '99 Latriceres Chambertin.
 
originally posted by Tristan Welles:
originally posted by Oswaldo Costa:
Great, so now Jadot can even be considered a beacon of natural wine.

But seriously, if you can vouch that this Clos de Bèze was from organic or biodynamic grapes, used wild yeast, ordinary commercial sulfur amounts, and was bottled unfined and unfiltered, I withdraw my characterization.

Oswaldo,

The first law of holes applies here.

One of the greatest, soulful bottles of red Burgundy I ever drank was a Jadot '99 Latriceres Chambertin.

Gtk.
 
Back
Top