TN: Dinner at Racines NY with Kelley Fox (April 13, 2016)

Jeff Grossman

Jeff Grossman
Racines NY is a calm space. Well, at least until it fills up. Then, the hard surfaces start bouncing noise around and the staff doesn't turn the radio down. Aural management isn't the strong suit here.

The seasonal menu, simple and luxurious, with just a bit of flashy technique: this is a strong suit here.
2016-04-13_RKF_menu.jpg
A long table is ready for us.

And here comes Kelley Fox. She is tall and blond. She does not have the gruff manner of the world-weary New Yorkers. She is sitting at one end of the table, among the Chambers Street crowd, but she pays attention to everyone, visiting the far end of the table for each flight, comparing and contrasting the two growing seasons (2013 was a rather hot year that ended in a miserable deluge while 2014 was warm all the way through), providing details about her vineyard and cellar techniques and how she coordinates them with the biodynamic calendar (e.g., spring pruning of the vines on a leaf day).

A few tasting notes:

Horiot - What a good choice for starter. Even more vigorous than I remember it, this is a really full rose, mineral-inflected, dark earth, just-so ripe, really fresh pinot noir.

Mirabai - The 2013 is perfumey and bright and lightweight and runs up into your nose fast. There's a faint hint of roastiness way up high, like sitting in a garden and an unexpected whiff of roast beef blows your way from the kitchen. The 2014 is darker, heavier, still stuttering some on leesy and paraffin smells. It is rather more like a Burgundy, while the 2013 is more like a Poulsard.

Momtazi - This 2013 is also light and lifted, a hint of orange peel and coffee grounds and cinnamon. The 2014 seems more essential and earthy, some black tea in the finish. Jim W says he's had other '13s from Oregon that also show light but strongly aromatic. Both of these will age nicely but they'll end up in very different places.

Maresh - This 2013 is more substantial than the others and more fruit-forward: cherries and raspberries and a bit of kirsch; later, there's face-powder and a bit of old lady handkerchief. The 2014 is complex, very tactile and mineral; later, it starts to close up.

And when dinner is over, the schmoozing begins in earnest. Lots of Loire wines are opened, quelle surprise (I recall a pour from a really good bottle of Foreau 2008 fizz).

Many thanks to Kelley, Racines NY, and Chambers Street for the lovely evening.
 
originally posted by Jeff Grossman:
She is sitting at one end of the table, among the Chambers Street crowd

A/k/a me and Josh Raynolds?

Thanks for the notes, Jeff. Sorry you missed the 2007 Vatan.

I will write more in a little.
 
originally posted by fillay:
Thanks for the notes. I have a bottle of the '13 Mirabai on tap for tonight.
Please do report back. I am curious. The wines are very lively and, per others' reports, rather changeable over even short periods of time.
 
I think Kelley's making some of the best Oregon wines today. I'm constantly impressed by the delicacy in the wines. Nice to see her gaining lots of notice.
 
originally posted by Jeff Grossman:
Please do report back. I am curious. The wines are very lively and, per others' reports, rather changeable over even short periods of time.

Lively is an appropriate descriptor for the '13 Mirabai, and I see the comparison to poulsard. This bottle definitely had a sneaky intensity that grew over a couple of hours - I suspect it will cruise in the cellar.
 
Reduction is not caused by screwcaps, they merely prevent wines that are bottled reduced from receiving the slow oxigenation that can make the reduction go away.

A winemaker who favors bottling his wines reduced can pick screwcaps that allow minimal ingress.
 
originally posted by Arjun Mendiratta:
Yes, just the usual concerns about reduction. Are we not supposed to do that any more?

Arjun, I asked her about this, too. Unfortunately, it was in the context of FOH Thomas's father asking her about this, and I was more translating than asking. She seemed to think it wasn't an issue.

I do wonder. Why is everyone else on this bored so sure screwcap is copacetic??
 
I once asked Joe what he thought the ingress from an ideal cork would be and he replied, without hesitation, "zero." Only screwcaps can reliably achieve that.

But if a wine improves not only from the bottle oxygen but from slow exchange with the outside, then a screwcap can provide that too.

Jeff once wrote about a fascinating tasting with Ponsot in which the latter said that he used closures that provided this and that level of ingress, whatever he considered ideal for his wines. So the jury may still be out, but I really don't see in what way screwcaps can be blamed for anything, when they can be whatever the winemaker wants, consistently.
 
The love for cork's inability to exclude oxygen is akin to those partisans who maintained a preference for the "warmth" of tube amps after solid state amps made their appearance. Likewise, there are still fans of Retsina, expressing a taste preference that likely dates to the era when amphorae were sealed with pitch.

'Twas ever thus,
Mr. Natural Mark Lipton
 
originally posted by MLipton:
The love for cork's inability to exclude oxygen is akin to those partisans who maintained a preference for the "warmth" of tube amps after solid state amps made their appearance. Likewise, there are still fans of Retsina, expressing a taste preference that likely dates to the era when amphorae were sealed with pitch.

'Twas ever thus,
Mr. Natural Mark Lipton

Then how contradictory of me, since I far prefer tube amps and hate retsina. Or perhaps the comparison is not quite pertinent.
 
Back
Top