originally posted by mark e:
originally posted by MLipton:
Wow, what a can of worms I opened. Nathan, surely you’re not saying that retronasal olfaction isn’t a large component of what we usually consider taste? After all, how else could a wine taste fruity? Or are you saying that this is the result of a higher level integration of sensations? My statement, BTW, is purely anecdotal, as I’ve been at any number of group events where perception of various flaws, of which VA was most assuredly one, was wildly at variance, even when all involved were quite experienced amateurs.
Mark Lipton
I had never intended to get mired in a discussion of the neurophysiology of taste, which is a bit too far outside of my area of knowledge. However, though my memory is flawed, I do remember a textbook I'd used in school titled something like "The Organoleptic Analysis of Food" that detailed, backed up by multiple studies, the use and vetting of tasting panels in the food industry. Tests included paired, triangle, ranked, etc. Point is if you want to produce, say, a consistent industrial product - at least when I studied this - you needed people to taste and compare the product(s) rather than relying solely on instrumental analyses.
Fact is, we all don't have the same sensory equipment and in some cases, such as my own training to identify VA in wine samples (we had to practice ranking them), it is something you can learn to do. The reasons should be obvious to everyone here; if you are a winemaker going around checking all the barrels in the cellar it is an important tool to have, without sending dozens of samples to a lab first.
Imagine a lab where you are testing wine samples closed with natural cork and attempting to find how many bottles had evidence of TCA using people not instruments. You would want to weed out those who could not do the job.
In the real world, it is quite helpful for restaurant staff to be trained to identify what I call "sub-threshold corkiness" in a given wine that is served by the glass (i.e, a wine that less than expressive aromatically and has a shorter than normal finish owing to low levels of cork taint.) This is something I attempted to do, but had limited success at because no one really thought it was quite as important as I did (and some simply did not have the sensory ability to do this).